If there’s one thing we’re willing to OD on, it’s fashion. Especially Indian fashion. Just when we were recovering from all the fabulous fashion that came out of India Couture Week 2014 and prepping for the upcoming Lakme Fashion Week Winter/Festive 2014, we were treated to a spot of bridal revelry with India Bridal Fashion Week, held at the uber luxurious DLF Emporio mall in Delhi this year. We round up the looks you absolutely ought to know about. Bridal chic, anyone?
Ashima-Leena’s collection ‘Jashn’ was a fitting celebration of the complexities of hand embroidery, rangrez work (dyed clothing typically associated with Uttar Pradesh, Rajasthan, Bihar and Gujarat) and the beauty of love. The ramp revelled in a captivating riot of colors, beautifully enhanced with an abundance of gold. The shararas, lenghas paired with long blouses, and tunic style sari blouses were sillouhettes that stood out.
FALGUNI AND SHANE PEACOCK
You can trust husband-wife duo Falguni and Shane Peacock to always churn out staples for the utterly modern bride. This time, they turned things up a notch with biker jackets, statement prints, cascading capes, sheer bodysuits and very contemporary styling. Are you daring enough to sport this?
GAURI AND NAINIKA
Gauri and Nainika took to the ramp after a brief hiatus, and boy did they bring back old-school glamour! Restricted to a palette of black, white and red, the collection featured sharp cuts, strong silhouettes, clean looks and the duo’s signature use of statement ruffles.
There was ample use of traditional bridal red in JJ Valaya’s elaborate collection but the unexpected pops of blue caught our eye. Black and white bridal wear (hitherto considered a taboo) made for a large part of the showing, and of that, we approve! And if Valaya’s line is anything to go by, bid adieu to those same ’ol blouses—statement cholis are in this year.
Jyotsna Tiwari’s bridal collection was a full throttle feminine affair, no surprises there! There were silhouettes not just for the bride but also for other attendees of a big fat Indian wedding. Think draped saris, voluminous cocktail gowns and floor length anarkalis in dainty, ladylike colors and studded embellishments.
MEERA AND MUZAFFAR ALI
Husband-wife duo Meera and Muzaffar Ali’s collection stayed true to their sensibility of bringing Kotwara’s (in Uttar Pradesh) exquisite craftsmanship to the fore. Their signature silhouettes like ghararas, wide legged trousers and use of somber colors were seen throughout the collection. We were instantly transported to an era gone by, one where an elegant Begum sahiba was the most stylish lady in the room.
The collection was touted to be a spiritual journey, reincarnating relics and was as crisp and minimalistic as a Rathore showing ought to be. The signature bandhgala emerged as a must-have for the bride and her entourage, worn with pants or voluminous skirts, for an androgynous break from all the feminine bridal wear out there. We particularly loved the punches of fuchsia pink that punctuated the otherwise black, white and red collection.
Suneet Varma’s ‘Princess of Shekhawati’ collection was the designer’s take on traditional India but with a modern twist. Mirrorwork embellishment, thread embroidered borders, colored aari embroidery and burnt gold and copper thread embellishments were the collection’s mainstay. What really stole the show were the exaggerated and incredibly statement jewelry pieces.
Tarun Tahiliani’s ‘Modern Mughals’ collection was a luxurious one, no doubt. It had all the atypical characteristics that the label is associated with—draped silhouettes, cocktail saris, crystal work, digital prints and elaborate embroidery. But we couldn’t shake off the feeling of déjà vu, maybe because the maverick designer has been churning out back-to-back collections these past few months.
Which is your favourite IBFW show? Tell us in the comment box below!
Praachi Raniwala for Luxemi